Tracker

Creative Team

Co-Director & Choreographer Daniel Riley
Co-Director Rachael Maza AM
Writers Ursula Yovich & Amy Sole
Set Designer Jonathan Jones
Composer & Sound Designer James Henry
Composer & Live Musician Gary Watling
Lighting Designer Chloë Ogilvie
Costume Designer Ailsa Paterson
Performers Tyrel Dulvarie, Rika Hamaguchi, Ari Maza Long, Kaine Sultan-Babij
Dramaturgs Amy Sole & Jennifer Medway
Project Elders Aunty Shirley Mathews & Aunty Ann Cribb
Wiradjuri Language Translator Aunty Dianne Riley McNaboe
Scenic Artist Merindah Funnell
Producer Erin Milne
Production Manager Simon Greer
Stage Manager Lyndie Li Wan Po
Technical Supervisor Clinton Camac

Image Jonathan VDK

Acknowledgements

Australian Dance Theatre thanks and pays respects to the Wiradjuri people with whom this work has been created, including the Riley family, and the Traditional Owners of country throughout Australia where this work has been created over its many stages. ADT acknowledges the Kaurna People of the Adelaide Plains, the Traditional Owners of the lands upon which the Festival takes place, and we pay our respects to all Aboriginal and Torres Strait Islander Elders past and present.

This project was initiated by Daniel Riley and commissioned by ILBIJERRI Theatre Company. Produced by Bureau of Works and Australian Dance Theatre.

This project has been assisted by the Australian Government’s Major Festivals Initiative, managed by the Australia Council, its arts funding and advisory body, in association with the Confederation of Australian International Arts Festivals Inc., commissioned by Sydney Festival, Perth Festival, Adelaide Festival, Rising and Brisbane Festival.

Tracker has also been supported by the Australian Government through the Australia Council, its arts funding and advisory body and the Restart Investment to Sustain and Expand (RISE) Fund; the Victorian Government through Creative Victoria; the City of Melbourne through Arts House; Besen Family Foundation; Dubbo Regional Council; Dubbo Regional Theatre & Convention Centre; Annamila Foundation; and the University of Melbourne’s Indigenous Knowledge Institute.